
The foyer lights lights flash almost as soon as we arrive, I stare in amazement at the lifesize oil paintings of the Nguni cattle for which the area is well known, in fact the school has their own herd and these paintings were taken from pictures of that herd. Their colours are unique and their gentleness seems tangible as I walk around and touch each one.
The children are bubbling with excitement at being allowed to stay up this late on a school night, the theatre is packed and we make our way slowly to our assigned seats. The quiet buzz of conversation is suddenly interrupted by the rhythmic pounding of African drums as a host of dancers and warriors burst in from the back and make their way through the audience to the stage. Tears prick my eyes as the rawness of the African beat touches my soul, we clap and the women ululate with joy.

One scene flows into the next as the tale of love and disappointment of renewal and returning to ones roots, unfolds. its about the conflict between a young mans cultural beliefs and the coming of the white man, the harsh rural life and the even harsher life in the city.

The stage is filled with the soulful singing of the maiden who has had to see her lover leave, and then explodes into the colour and noise of the city sheebeen, the dancing whips us into a frenzy. First the slow seductive dancing of the shebeen and then the lively gumboot dancing of the miners. Its a riveting production which has us roaring with laughter and (me) crying with the sheer beauty of it all.
We leave the theatre trancelike, even the children have been profoundly touched..I look up at the blackness of the African sky and bright Southern Cross and I know they will never forget this night. Neither will I.


